foiling techniques

Foiling with Glue Pens

Hi Everyone!

This week I want to share a little foiling technique that doesn’t require any heat or a cutting mat! I will be using my Silhouette Portrait 3, a glue pen, and some reactive foil (I’ll be using a Minc brand roll of foil that I already have).

I’ve been working on some holiday single line SVG files for gift tags and cards, so I want to test them out using this technique.

I already set up my design to be drawn and cut matless. Each operation will be done according to line color - the blue lines will be drawn with the glue pen, the red lines will be cut. Make sure your design is set up so it is between the rollers on your machine, you don’t want to get glue all over the rollers!

First, I’m going to start with the WRMK Glue Quill. (there are other brands of glue pens you can try, but this is the one I have on hand.) Before loading you pen into the machine, be sure to scribble your pen on a little piece of scrap paper to make sure the glue is flowing. I am using the pen adapter that is made for the Silhouette machines.

I’m going to do the drawing with the glue pen first (the blue lines). I select the heavy coverstock as my material. I’m going to slow down the speed from 5 to a 3, so the glue flows from the pen evenly.

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After the machine is done drawing, DO NOT remove the cardstock. I’m going to let the glue dry for a few minutes. It dries pretty quickly and still remains a little tacky, which is exactly what we need to apply the foil.

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After the glue is dry, I’m going to cut out my gift tags. I check the box for the red lines & use the Pop out cut.

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I cut some small pieces of foil to fit the gift tags. I lay the foil over the gift tag, making sure all of the glue areas are covered by the foil.

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I use an old credit card as a scraper, but you can also use a small squeegee. I smooth the foil down in all directions, vertical, horizontal, etc.

Once I see the letters starting to appear, I lift the foil to check my progress. If there are a few spots missing the foil, you can continue to go over it with the squeegee, you can even reposition to foil if needed and continue to squeegee.

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Once it’s done, I carefully brush off any foil dust and you have a foiled gift tag! This technique gives the lines kind of a vintage, distressed look.

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My Top 5 Tips for Using the Cricut Foil Transfer Tool

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Hi Everyone! I know it can be difficult getting the results you want with the Cricut Foil Transfer tool. I still struggle with it sometimes, especially on new projects. Here are some of my top tips for working with the foil transfer tool…

Choose a cardstock that is smooth, but not super smooth

Not all cardstocks are created equal. I have my favorite black cardstock, that after some testing, takes the foil beautifully and another black cardstock that ends up very patchy and the foil rubs off.

I also have a multi color pack of 65lb Recollections cardstock that I purchased from Michael’s. Although the cardstocks should all the the same quality, I’ve noticed that the surfaces of some of the colors are slightly smoother than the others. The darker colors especially seem to be smoother and the foil doesn’t always stick well (see photo of blue cardstock below). The foil sticks great to some of the lighter colors that aren’t quite as smooth (see photo of light grey cardstock below).

(L) My favorite black cardstock that foils beautifully, (R) Black cardstock that is smoother, but the foil does NOT transfer well.

(L) My favorite black cardstock that foils beautifully, (R) Black cardstock that is smoother, but the foil does NOT transfer well.

65lb blue cardstock from Recollections multicolor pack, Medium Foil transfer tip, Settings: Light cardstock & less pressure

65lb blue cardstock from Recollections multicolor pack, Medium Foil transfer tip, Settings: Light cardstock & less pressure

65lb light grey cardstock from the same Recollections multicolor pack, Medium Foil transfer tip, Settings: Light cardstock & less pressure

65lb light grey cardstock from the same Recollections multicolor pack, Medium Foil transfer tip, Settings: Light cardstock & less pressure

Use Masking Tape, Blue Painters Tape or Washi Tape

The tape that comes with the foil transfer sheets is designed to NOT stick to the mat. Depending on my design, sometimes my foil sheet goes right to the edge of my cardstock and I need my tape to stick to the mat. I prefer to use masking tape, blue painter’s tape or Washi tape. These tapes all stick well to the mat, and I can usually reuse them a few times.

(L) Blue painter’s tape, (C) masking tape, (R) Washi tape

(L) Blue painter’s tape, (C) masking tape, (R) Washi tape

Tape the foil sheet as flat and tight as possible

Before taping down your foil, use a brayer to fully adhere your cardstock or whatever material you are using to the mat.

Cricut Foil Transfer tool tips

Then lay the foil over the cardstock and tape it on all four sides as tight and flat as possible. As the transfer tool moves around it stretches the foil transfer sheet, so it’s best to start out with no wrinkles and get it as tight as possible in the beginning.

Tape all four sides so the foil is flat and taut.

Tape all four sides so the foil is flat and taut.

Always test your materials that you will be foiling

If you’re not sure the foil will stick to the materials you plan to use for your project, do a small test first. Also, you may need to do a small test to figure out the optimal pressure settings for your material. The default material settings can give you a jumping off point, but they don’t always produce the best results. I find I usually get the best results with the fine or medium tips. I haven’t been satisfied with any results from the bold tip.

Testing different tip sizes and pressure settings on black cardstock, no good results on this test.

Testing different tip sizes and pressure settings on black cardstock, no good results on this test.

Use Less Pressure

It kind of sounds counterintuitive, but I typically have better success when I select “Less Pressure” when I’m foiling. If it’s too much pressure, the foil does not stick completely, I’m usually left with an empty thin line from the tip of the transfer tool, or it just doesn’t stick in certain parts of the design.

For my heavier cardstocks (100lb-110lb) I’ve been getting good results with 20lb Copy Paper, Default Pressure settings.

For my 65lb Recollections cardstock I typically use the 65lb Lightweight Cardstock, Less Pressure settings, or the 20lb Copy Paper, Default Pressure settings.

Beautiful results on black heavy cardstock using settings: 20lb copy paper, default pressure.

Beautiful results on black heavy cardstock using settings: 20lb copy paper, default pressure.

Silhouette Portrait 3 and the WRMK Foil Quill

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Hi Everyone! A few months ago I finally crossed over and got a Silhouette Portrait 3, and I love it!! It works like I always thought my Cricut should work.

Last week I tried the Spellbinders Glimmer Foil with the WRMK Foil Quill in my Cricut Maker. The results weren’t great on cardstock, but it looked really nice on my clear sticker paper. So this week, I decided to try it on my Portrait 3 because I can adjust the speed and pressure with the Foil Quill, unlike the Cricut.

I have to use the D adapter for the Foil Quill with the Portrait 3, the usual A adapter for Silhouette doesn’t fit the newer machines.

Use Adapter D for the Silhouette Portrait 3.

Use Adapter D for the Silhouette Portrait 3.

First I tried the regular copper metallic foil on my favorite black cardstock. I’m using the Standard Grip mat with a Force of 22 and Speed 2. It looks fantastic!

Copper Foil, Medium Foil Quill Tip

Copper Foil, Medium Foil Quill Tip

Then I tried the regular gold foil, also on black cardstock. It looks pretty nice, there are a few spots where the foil didn’t stick great, but I might not have had my foil taped down tight enough (very important when foiling).

Gold Foil, Medium Foil Quill Tip

Gold Foil, Medium Foil Quill Tip

Next I tried the Silver iridescent foil with the same Force of 22, Speed 2. It looks sooooooo much better than it did on my Cricut Maker! There are a couple fo spots where the foil didn’t stick so I’m going to try a few more settings.

Iridescent Silver, Medium Foil Quill Tip

Iridescent Silver, Medium Foil Quill Tip

I tried a bunch of different pressures and speeds, but none of them are as good as the Force 22, speed 2.

Iridescent Silver, Medium Tip, different pressures and speeds

Iridescent Silver, Medium Tip, different pressures and speeds

I also tried the gold holographic foil, it did much better on the the Portrait 3 than with my Cricut Maker, but there are still a few spots where it didn’t stick to the cardstock.

Gold Holographic Foil, Medium Foil Quill Tip

Gold Holographic Foil, Medium Foil Quill Tip

Then I wanted to try it on some black vinyl for stickers. It came out pretty good, but there are some gaps in the solid hearts.

Gold Holographic Foil, Medium Tip on Black Adhesive Vinyl

Gold Holographic Foil, Medium Tip on Black Adhesive Vinyl

I changed the fill for the solid hearts from just diagonal lines to a crosshatch fill. Which is SUPER EASY to do in Silhouette Studio, and the results are much better!

Silver Iridescent Foil, Medium Tip on Black Adhesive Vinyl

Silver Iridescent Foil, Medium Tip on Black Adhesive Vinyl

I wanted to try using the Light Grip mat since the backing of the vinyl sticks a lot to the Standard Grip mat. The Light Grip mat is slightly thicker than the Standard Grip and it’s just enough difference that no matter what force I use, it’s too much and it even melted my vinyl.

Silver Iridescent Foil, Medium Tip on Black Adhesive Vinyl using Light Grip Mat

Silver Iridescent Foil, Medium Tip on Black Adhesive Vinyl using Light Grip Mat

So I switched back to the Standard Mat and it works much better! There are still some little gaps where the foil didn’t cover, so I decided to do a test with the Bold Tip Quill to see if it gets better coverage with the filled shapes.

Gold Holographic Foil, Medium Tip using crosshatch fill

Gold Holographic Foil, Medium Tip using crosshatch fill

Yes! The Bold Tip does an even better job with the filled shapes!

Gold Holographic Foil, Bold Tip using crosshatch fill

Gold Holographic Foil, Bold Tip using crosshatch fill

Silver Iridescent Foil, Bold Tip using crosshatch fill

Silver Iridescent Foil, Bold Tip using crosshatch fill

One final test with the Bold Tip on cardstock. I ended up having to switch my mat to the Light grip mat, I wasn't getting enough pressure with the Standard mat. The Bold Tip gives a really nice flat fill, but I think I like the Medium tip better for lettering.

Gold Holographic Foil, Medium Tip using crosshatch fill, Light Grip Mat

Gold Holographic Foil, Medium Tip using crosshatch fill, Light Grip Mat

An important lesson learned this week is that the cutting mat can have a really big impact on the outcome of the project!

Silver Iridescent Foil, Bold Tip using crosshatch fill. Top is using the Light Grip Mat. Bottom is using the Standard Grip Mat.

Silver Iridescent Foil, Bold Tip using crosshatch fill. Top is using the Light Grip Mat. Bottom is using the Standard Grip Mat.

A Cricut Foil Transfer Sheet Alternative

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Hi Everyone! Now that I’ve found some good black cardstock and decent pressure settings, I’ve been experimenting more and more with my Cricut Foil Transfer tool. One of the drawbacks to the foil transfer tool is that there aren’t really any pressure sensitive foils available, aside from the Cricut brand.

I’ve been researching other foils to use and came across some people having success with the Spellbinders Glimmer Hot Foils. They are labeled as hot foils, not pressure sensitive, but other people have been getting good results with them, so I thought I would give them a try. I purchased the essential metallics set, which includes a roll of gold, silver, copper, and pewter. I also bought a set of iridescents that contains a roll of silver, gold, purple, and teal.

These rolls are only 5 inches wide which is something to consider when laying out your design. But they are also 15 ft. long, so there’s a lot of length to work with. You’re not just limited to the 4x6 or 12x12 sheets like the Cricut brand.

I going to test some of my single line SVG files on heavy cardstock. I’m using the Cricut Foil Transfer Fine Point tip.

Since I use gold a lot, I’m first going to test the gold from the essential metallics set. I think the foil sheet is little heavier than the Cricut brand. It didn’t curl up and was pretty easy to tape it down flat even though I cut it from a roll.

Even though I’m using heavy 100lb cardstock, I set my material to Copy Paper 20lb, default pressure for the Foil Transfer tool. I’ve been getting the best results so far with these settings.

After my machine is done, I peel back the foil and the results are BEAUTIFUL!!!

Cricut Foil Alternative

Next, I’m trying the copper from the same essential metallics set. This time I’m testing it on my new favorite black cardstock. Again, the results are GORGEOUS! The copper is a little dustier than the gold. I was able to carefully clean it up with some blue painters tape, without the tape removing foil from the actual design.

Cricut Foil Alternative

Now, I’m going to try a couple of the colors from the iridescent set. First up is the silver iridescent. It transferred nicely, but the iridescence gets a little lost, most likely due to the thinness of the lines.

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I also tried the gold confetti iridescent roll. Again, it transferred nicely, but the iridescent effect gets lost. Once again, probably due to the thickness of my lines.

Cricut Foil Alternative

Overall, I REALLY like this foil. I feel like I get more consistent and better results than with the Cricut foil. They also have a wider selection of colors than the Cricut brand. The only drawback I have found so far is the 5 inch width of the roll. But it shouldn’t be that much of an issue if I plan my designs accordingly.

I also plan on trying this foil with my WRMK foil quill. I’ll post those results later.