foiling tips

My Top 5 Tips for Using the Cricut Foil Transfer Tool

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Hi Everyone! I know it can be difficult getting the results you want with the Cricut Foil Transfer tool. I still struggle with it sometimes, especially on new projects. Here are some of my top tips for working with the foil transfer tool…

Choose a cardstock that is smooth, but not super smooth

Not all cardstocks are created equal. I have my favorite black cardstock, that after some testing, takes the foil beautifully and another black cardstock that ends up very patchy and the foil rubs off.

I also have a multi color pack of 65lb Recollections cardstock that I purchased from Michael’s. Although the cardstocks should all the the same quality, I’ve noticed that the surfaces of some of the colors are slightly smoother than the others. The darker colors especially seem to be smoother and the foil doesn’t always stick well (see photo of blue cardstock below). The foil sticks great to some of the lighter colors that aren’t quite as smooth (see photo of light grey cardstock below).

(L) My favorite black cardstock that foils beautifully, (R) Black cardstock that is smoother, but the foil does NOT transfer well.

(L) My favorite black cardstock that foils beautifully, (R) Black cardstock that is smoother, but the foil does NOT transfer well.

65lb blue cardstock from Recollections multicolor pack, Medium Foil transfer tip, Settings: Light cardstock & less pressure

65lb blue cardstock from Recollections multicolor pack, Medium Foil transfer tip, Settings: Light cardstock & less pressure

65lb light grey cardstock from the same Recollections multicolor pack, Medium Foil transfer tip, Settings: Light cardstock & less pressure

65lb light grey cardstock from the same Recollections multicolor pack, Medium Foil transfer tip, Settings: Light cardstock & less pressure

Use Masking Tape, Blue Painters Tape or Washi Tape

The tape that comes with the foil transfer sheets is designed to NOT stick to the mat. Depending on my design, sometimes my foil sheet goes right to the edge of my cardstock and I need my tape to stick to the mat. I prefer to use masking tape, blue painter’s tape or Washi tape. These tapes all stick well to the mat, and I can usually reuse them a few times.

(L) Blue painter’s tape, (C) masking tape, (R) Washi tape

(L) Blue painter’s tape, (C) masking tape, (R) Washi tape

Tape the foil sheet as flat and tight as possible

Before taping down your foil, use a brayer to fully adhere your cardstock or whatever material you are using to the mat.

Cricut Foil Transfer tool tips

Then lay the foil over the cardstock and tape it on all four sides as tight and flat as possible. As the transfer tool moves around it stretches the foil transfer sheet, so it’s best to start out with no wrinkles and get it as tight as possible in the beginning.

Tape all four sides so the foil is flat and taut.

Tape all four sides so the foil is flat and taut.

Always test your materials that you will be foiling

If you’re not sure the foil will stick to the materials you plan to use for your project, do a small test first. Also, you may need to do a small test to figure out the optimal pressure settings for your material. The default material settings can give you a jumping off point, but they don’t always produce the best results. I find I usually get the best results with the fine or medium tips. I haven’t been satisfied with any results from the bold tip.

Testing different tip sizes and pressure settings on black cardstock, no good results on this test.

Testing different tip sizes and pressure settings on black cardstock, no good results on this test.

Use Less Pressure

It kind of sounds counterintuitive, but I typically have better success when I select “Less Pressure” when I’m foiling. If it’s too much pressure, the foil does not stick completely, I’m usually left with an empty thin line from the tip of the transfer tool, or it just doesn’t stick in certain parts of the design.

For my heavier cardstocks (100lb-110lb) I’ve been getting good results with 20lb Copy Paper, Default Pressure settings.

For my 65lb Recollections cardstock I typically use the 65lb Lightweight Cardstock, Less Pressure settings, or the 20lb Copy Paper, Default Pressure settings.

Beautiful results on black heavy cardstock using settings: 20lb copy paper, default pressure.

Beautiful results on black heavy cardstock using settings: 20lb copy paper, default pressure.

Silhouette Portrait 3 and the WRMK Foil Quill

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Hi Everyone! A few months ago I finally crossed over and got a Silhouette Portrait 3, and I love it!! It works like I always thought my Cricut should work.

Last week I tried the Spellbinders Glimmer Foil with the WRMK Foil Quill in my Cricut Maker. The results weren’t great on cardstock, but it looked really nice on my clear sticker paper. So this week, I decided to try it on my Portrait 3 because I can adjust the speed and pressure with the Foil Quill, unlike the Cricut.

I have to use the D adapter for the Foil Quill with the Portrait 3, the usual A adapter for Silhouette doesn’t fit the newer machines.

Use Adapter D for the Silhouette Portrait 3.

Use Adapter D for the Silhouette Portrait 3.

First I tried the regular copper metallic foil on my favorite black cardstock. I’m using the Standard Grip mat with a Force of 22 and Speed 2. It looks fantastic!

Copper Foil, Medium Foil Quill Tip

Copper Foil, Medium Foil Quill Tip

Then I tried the regular gold foil, also on black cardstock. It looks pretty nice, there are a few spots where the foil didn’t stick great, but I might not have had my foil taped down tight enough (very important when foiling).

Gold Foil, Medium Foil Quill Tip

Gold Foil, Medium Foil Quill Tip

Next I tried the Silver iridescent foil with the same Force of 22, Speed 2. It looks sooooooo much better than it did on my Cricut Maker! There are a couple fo spots where the foil didn’t stick so I’m going to try a few more settings.

Iridescent Silver, Medium Foil Quill Tip

Iridescent Silver, Medium Foil Quill Tip

I tried a bunch of different pressures and speeds, but none of them are as good as the Force 22, speed 2.

Iridescent Silver, Medium Tip, different pressures and speeds

Iridescent Silver, Medium Tip, different pressures and speeds

I also tried the gold holographic foil, it did much better on the the Portrait 3 than with my Cricut Maker, but there are still a few spots where it didn’t stick to the cardstock.

Gold Holographic Foil, Medium Foil Quill Tip

Gold Holographic Foil, Medium Foil Quill Tip

Then I wanted to try it on some black vinyl for stickers. It came out pretty good, but there are some gaps in the solid hearts.

Gold Holographic Foil, Medium Tip on Black Adhesive Vinyl

Gold Holographic Foil, Medium Tip on Black Adhesive Vinyl

I changed the fill for the solid hearts from just diagonal lines to a crosshatch fill. Which is SUPER EASY to do in Silhouette Studio, and the results are much better!

Silver Iridescent Foil, Medium Tip on Black Adhesive Vinyl

Silver Iridescent Foil, Medium Tip on Black Adhesive Vinyl

I wanted to try using the Light Grip mat since the backing of the vinyl sticks a lot to the Standard Grip mat. The Light Grip mat is slightly thicker than the Standard Grip and it’s just enough difference that no matter what force I use, it’s too much and it even melted my vinyl.

Silver Iridescent Foil, Medium Tip on Black Adhesive Vinyl using Light Grip Mat

Silver Iridescent Foil, Medium Tip on Black Adhesive Vinyl using Light Grip Mat

So I switched back to the Standard Mat and it works much better! There are still some little gaps where the foil didn’t cover, so I decided to do a test with the Bold Tip Quill to see if it gets better coverage with the filled shapes.

Gold Holographic Foil, Medium Tip using crosshatch fill

Gold Holographic Foil, Medium Tip using crosshatch fill

Yes! The Bold Tip does an even better job with the filled shapes!

Gold Holographic Foil, Bold Tip using crosshatch fill

Gold Holographic Foil, Bold Tip using crosshatch fill

Silver Iridescent Foil, Bold Tip using crosshatch fill

Silver Iridescent Foil, Bold Tip using crosshatch fill

One final test with the Bold Tip on cardstock. I ended up having to switch my mat to the Light grip mat, I wasn't getting enough pressure with the Standard mat. The Bold Tip gives a really nice flat fill, but I think I like the Medium tip better for lettering.

Gold Holographic Foil, Medium Tip using crosshatch fill, Light Grip Mat

Gold Holographic Foil, Medium Tip using crosshatch fill, Light Grip Mat

An important lesson learned this week is that the cutting mat can have a really big impact on the outcome of the project!

Silver Iridescent Foil, Bold Tip using crosshatch fill. Top is using the Light Grip Mat. Bottom is using the Standard Grip Mat.

Silver Iridescent Foil, Bold Tip using crosshatch fill. Top is using the Light Grip Mat. Bottom is using the Standard Grip Mat.